The Palo Alto History Project
The KKK Comes to Palo Alto                                                         
                   
                                                                                     Homer Avenue at Ramona Street     
The KKK Comes to Palo Alto

Before the advent of movies, radio, and television, our country was more dispersed in a psychological
sense.  The mass media has given Americans a common experience, a shared culture, a common reference
point.  In our history shared experiences have brought the country together --- watching men walk on the
moon, listening to Fireside Chats, cheering on Olympians, even knowing all the characters on The
Simpsons.  But the mass media has also been used to rally hate and intolerance (McCarthyism, Father
Coughlin, George Wallace).  One of the earliest and most despicable cultural phenomena driven by the mass
media was the rise of the Ku Klux Klan.  Before radio or TV, the silent movie was the nation’s most
important cultural media experience and a 1915 film would prove just how important the movies could be.

Although the Klan had its first life in the years following the Civil War, the KKK basically died out with the
end of Reconstruction.  Years later, the resurrection of the Klan was actually inspired by D.W. Griffith’s
“Birth of a Nation,” a three hour film based on Reverend Thomas Dixon’s book The Clansman.  “Birth of a
Nation” painted a mythological, romanticized version of the original Ku Klux Klan.  In the movie, the virtue
of Southern Women is rescued by the Klan from leering, sexually animalistic Black men (white actors in
blackface). The film is saturated with the worst sort of racial stereotyping and bigotry --- black legislators
take off their shoes and socks and eat fried chicken manically in the state legislature, for instance.  While
many of the iconic images we now associate with the Klan such as white sheets and burning crosses were
actually invented for the film on a Hollywood sound stage.

The film was controversial from the start.  In Boston, Philadelphia and other cities, race riots began after the
film seemed to cast a spell on some northern whites.  One white man in Lafayette, Indiana killed a Black
teenager after seeing the movie.   The newly formed NAACP condemned the film as “three miles of filth”
and helped get “Birth of a Nation” banned completely in cities such as Chicago, Denver, St. Louis,
Pittsburgh and Kansas City.  But in the South, where a white population still harbored deep resentment over
Reconstruction, the film’s imagery caught fire.

Soon a new Klan was on the march.  In the late teens, membership skyrocketed toward 6 million --- or one
quarter of the eligible male population in the United States.  And it was not just Blacks that were subjected
to the Klan’s terror.  Catholics, Jews, and immigrants were also on the KKK’s hitlist.  And as the group
gained in political power and took control of state governments in Tennessee, Indiana, and Oklahoma, Klan
leaders attempted to spread their message to new parts of the country.  In 1923, the KKK headed for Palo
Alto.

Initial Klan activity in Palo Alto came from a Texas graduate engineering student at Stanford University
named Robert Burnett.  A 1923 article appearing in the Palo Alto Times, reported on Burnett’s desire to
organize a local chapter of the KKK.  By 1924, two groups had been formed --- one at Stanford, including
at least 7 faculty members --- and  another in Palo Alto, said to represent a wide array of local
businessmen.  A woman’s branch comprising more than 50 members was established later that year.

And although it’s now hard to imagine today, the Klan were not shy about making public appearances in
Palo Alto.  In August of 1924, for instance, robed Klansmen defiantly perched in the open backseats of 15
automobiles, were led by the Oakland Klan Band in a march down Alma Street and Hamilton Avenue.  The
event was witnessed by several hundred Palo Altans.

In March of that same year, hooded Klansmen burned fiery crosses and initiated 31 new hooded members
in a ceremony near Pitman and Katherine Streets, witnessed by some 500 spectators.  

The Klan also seems to have had some political power in town.  Police Chief Chester F. Noble accused the
Klan of being behind a residential committee’s effort to bring him down on charges of corruption.  
Responding to accusations of pocketing police money for personal use, Noble told newspaper men, “I
know positively that this is merely a Klan fight against me.  I have received regular reports of Klan meetings
from two Klan members who have kept me personally informed.  I know who the members of this
organization are and many of them are prominent on this committee.”  

The Klan was likely retaliating against the chief’s recent anti-Klan crackdowns:  According to a 1946 San
Francisco Chronicle article, Noble had called for help from San Francisco police chief Dan O’Brien, who
sent in “25 rookie coppers, dressed as civilians and swinging saps; the only Klansman who escaped a
beating was a character who leaped into [the street] and broke his leg.”  Noble had also dismissed a number
of Klansmen from his own police force.

And it was not only Palo Alto’s police that made it clear that they were not welcome in town.   In February
of 1924, the KKK was denied permission of commanding officer Lawrence Cook to use the Naval
Reserves Drill Hall for a meeting in which official California Klan lecturer James Bronson was set to address
the membership.  The Klan was then denied the use of De Luxe Hall, as well, after the hall’s owner was
spooked by a letter from Monsignor Joseph Gleason threatening a subsequent Catholic boycott.  In the
previous year, the Stanford chapter of the Klan had been denied use of all campus buildings by Stanford
University president Dr. R.L. Wilbur, who at the same time, forbid the Klan from in any way associating
Stanford’s name with a university-based KKK.

Without an indoor venue in which to hold meetings, the Palo Alto Klan was often forced to gather outside.  
In August of 1924, for instance, a group initiation had to be held in a rather unceremonious vacant lot
between Emerson and Alma Streets.  Although the Klan had gained a toehold in Palo Alto, it did not find an
atmosphere in the city ripe for exploitation.  The Klan would soon move on.

More than two decades later, however, the city worried over a second coming of the Klan.  Local residents
awoke on May 31st, 1946 to find a three foot high red-lettered KKK insignia painted in the street at the
intersection of Homer and Ramona.  Situated in what was then a small black section of town surrounding the
AME Zion Church, Police Chief Howard Zink believed that the work was “done by an organization, not
pranksters.”  The symbol’s unfortunate appearance seemed a possible harbinger of some of the troubles that
swirled in the Midpeninsula region in the mid-forties.  The height of area Klan activity came later that year,
when the Klan burned down the house of John Walker, a black man who had moved into an all-white
Dumbarton Oaks neighborhood of Redwood City.  

But condemnation of the Klan in Palo Alto was swift and strong.  Local op-eds asked the police to “arrest
and prosecute the Klansmen” and urged local citizens “not to rest until we have found the Klan members
living here and taken appropriate action.”  A third Times writer warned that “by shutting our eyes to the first
ventures of these un-American cowards at whatever level they operate, we leave the way open for activities
that undermine our democracy and stain the fine community reputation we are so smug about.”

The Ku Klux Klan would never again reach its heady heights of the 1920s --- either here in Palo Alto or
across the nation (political scandals and Nazi support had led to their nationwide decline).  And while there
have been occasional incidents and Klan marches across the country since those days, the P.C. culture of
the modern mass media probably helps to keep any resurrections at bay.  The times when an entire region of
the country could hold completely contrarian views on the issue of race have passed.  With all the talk of our
nation divided between red and blue states, the ideological divide in the United States today is actually far
smaller.  Television, movies, and the Internet have been great equalizers in dictating what is acceptable in our
society and what is not --- and the Ku Klux Klan is certainly in the latter category.

                                                                                                                                    -Matt Bowling
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San Francisco Chronicle
The Klan seeks revenge on
blackfaced Gus in "The Birth
of a Nation"
D.W. Griffith, the legendary director
of "The Birth of a Nation."  He is
said to have regretted the impact of
the film and sought to make amends
with a later film "Intolerance."
A map of the SOFA (South of Forest Area) where the KKK insignia was painted in 1946.  Zoom in
and out with the + and - symbols in the top left corner of the map...
Palo Alto: Then & Now

1946
2007
The poster for
"The Birth of a
Nation"
At left is a photo of an unidentified man standing at the corner of Homer and Ramona where the KKK insignia was painted in 1946.  In
the upper right hand corner is the AME Zion Church, the first Black church built between San Mateo and San Jose.  Today the
intersection is full of construction, as a project is underway which will save the historic AME Zion church and turn it into offices.
Palo Alto's Police
Chief Chester
Noble blamed the
Klan for the effort
to bring him down
An illustration from
Thomas Dixon's
The Clansman. The
caption reads "Take
dat f'um yo' equal"
Reverend Thomas
Dixon had no regrets
about the resurgence
of the Klan brought
about by his book
and the movie based
on it
Another illustration
from the book --- in
which Dixon
portrays Lincoln and
the North as being
vengeful and cruel
victors during
Reconstruction
The burning cross and
ghost-like outfits of the Klan
have become haunting images
of America's past
R.L. Wilbur who helped
condemn the Klan's attempted
associations with Stanford
University
The opening of D.W.
Griffith's "The Birth of a
Nation."  Critics have long
praised its cinematographic
techniques while condemning
its message.  In 1998, it was
named #44 on the American
Film Insitute's list of the 100
greatest American  films of
all-time.
In "Birth of a Nation" black
legislators are seen with their
shoes off and eating fried
chicken.